Clay roof tiles have been used as roof coverings for a very long time. In fact, archaeologists have found evidence of clay roof tiles in China dating back as far as 10,000 BC. When the Romans landed in Britain during the first century AD, they brought the tradition of using clay roof tiles with them, and they used them to cover their villas, temples and bathhouses.
Traditional clay tiles didn't really become popular until after the Great Fire of Southwark in 1212. Following the fire, King John made a proclamation, stating that buildings in London should be built with clay roof tiles, rather than thatched roofing, since they were more resistant to fire.
For most of their history, clay tiles have been made by hand in a rather laborious and time consuming process. These days, you can still get handcrafted tiles for that traditional finish, or choose from products that are made by machines for a faster result, more uniform appearance and a more affordable price.
Whether you opt for tiles that are handmade or made by a machine, the traditional clay roof tiles that are manufactured today also conform to modern building standards and can be used in dry-fix roofing systems, meaning they can be installed quickly and securely while providing the look that we all want for our properties.
Traditional clay tiles come in both plain clay tiles and profiled pantiles in a range of shapes and colours. This ensures you can easily find a product that suits your design requirements. These offer the classic good looks of traditional clay tiles, but with the benefits of modern manufacturing techniques and very easy installation.
Modern technology has opened up the market for new materials and innovations to be used in the manufacturing process, such as fibre cement.
In today's climate of recycling and sustainability, we have seen a clear trend moving towards building materials that can improve the sustainability and carbon efficiency of construction projects. With an ambitious government aim for net carbon zero by 2050 and all new homes to be zero-carbon ready by 2025, roofing manufacturers are looking at more ways in which their products can align to this vision.
When you consider that traditional clay tiles are made from natural and recyclable materials, it's easy to see why they still remain at a front runner in the roofing industry.
Realistically, it all boils down to your personal choice of roofing material. In fact, you can achieve a traditional or contemporary style while enjoying the benefits of advanced and modern materials, manufacturing techniques and installation options. That means you can base your decision on factors such as how the roof is designed, how durable it is, how it looks and your budget.
When considering the appearance of your roofing tile, remember to think about whether you want the building to stand out or blend in with its surroundings, and then take a look at your geographic location and what's in general use around you. Remember, being different isn't always a good look and could land you in hot water with the local authorities if you choose a roofing material that is too outlandish. You could also be forced to rectify any planning breaches at great personal expense. Traditional clay tiles are always a much safer option, always look great and are known to stand the test of time.
The Cambridge Folk Festival is a highpoint for folk music enthusiasts from in and around the Cambridgeshire area. The festival is held every year, but first opened in 1965. This popular music event is held on the site of Cherry Hinton Hall in Cherry Hinton, one of the villages subsumed by the city of Cambridge. The festival is known for its fantastic mix of music and a pretty wide definition of what might be considered actual folk music. It occurs over a long Bank Holiday weekend in summer. Until 2008 it was sponsored by BBC Radio 2, who broadcast it live, with highlights that were recorded and shown later and occasionally live on digital television channels. BBC Four broadcast the Cambridgeshire event from 2002 to 2009 and from 2010 to 2012 the festival was moved to Sky Arts.
Recent events have obscured the early origins of the Cambridge folk festival. In 1974 the Cambridge Folk Festival was described as an event that was born after three Cambridgeshire councillors who had an idea for a festival. The key figures responsible for setting up and founding the Cambridge Folk festival are named as Paul Rayment, Philip Abrams and George Scurfield.
The setting up of the Cambridgeshire musical event took about nine months and was developed by Paul Rayment, Philip Abrams and George Scurfield before Ken Woollard was asked to run the festival. In the 1960s the Rayments, Sharkeys, Scurfields and Woollards were all associated with Cambridge Labour Party and the folk club to greater or lesser extents. Jack Sharkey had the original idea which may have been linked to Jazz on a Summers Day, the documentary film set at the 1958 Newport Jazz Festival in Rhode Island, and he involved Paul Rayment. Jack Sharkey also had the idea to hold the festival at Cherry Hinton Hall, and his engagement with folk music was instrumental to the original initiative.
It has been argued many times that Paul Rayments initiative, drive, commitment and political skill produced the Cambridgeshire folk festival. In his role as a councillor, he suggested the festival site of Cherry Hinton, managed the electrics of the first festival and volunteered to stay the night in the marquee for the first festival; there was no security. The other key figures who developed the festival were Philip Abrams, a professor of sociology who saw it as a social initiative, and George Scurfield, an author, poet, and politician, whose abilities and sense of adventure and were vital to the establishment of the festival. The 1965 festival was the fruit of a Labour controlled council in a traditionally conservative area and particularly the endeavours of Paul Rayment. The founding of the Cambridge Folk festival reflects its subsequent diversity when a war hero poet and politician worked with an eminent sociologist and a politically driven electrician to bring something together representative of the 1960s zeitgeist in Cambridge. This was then handed over and brought to fruition by Ken Woollard, a local firefighter and socialist political activist, to help organise it.
The first Cambridgeshire festival sold 1400 tickets and almost broke even. Squeezed in as a late addition to the bill was a young Paul Simon who had just released "I Am A Rock". The festivals popularity quickly grew from that moment on. Woollard continued as Festival organiser and artistic director up until his death in 1993. In 2014 the festival celebrated its 50th event, including artists such as Van Morrison and Sinead O'Connor. Until 2015 it was run by Cambridge City Council. It is now run by a charity called Cambridge Live.
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