Heritage tiles are the professional roofer's choice for the highest quality clay roof tiles. We pride ourselves in manufacturing, stocking, and delivering the very finest in prestige clay roof tiles.
Heritage Tiles have several tile ranges that satisfy every architectural requirement. Vintage and historic properties right up to modern new builds are covered by the diverse range of clay roof tiles that we stock.
So, whether you are in the building trade, or simply wish to choose your own tiles, Heritage Tiles have the right product for your specific requirements.
Clayhall Medium Blend - Carefully crafted to replicate all the features of handmade the Clayhall hand crafted range of tiles offers an excellent alternative when budget restrictions are a concern, but without compromising quality or durability.
Clayhall Dark Blend - Quality and durability in a budget clay roof tile. The Clayhall dark blend is sure to turn heads.
Clayhall Red Blend - A beautiful rustic clay roof tile. The Clayhall red blend is a firm favourite with our customers.
Clayhall Hamlet Mix - The Clayhall Hamlet mix is a gorgeous light and sandy looking clay roof tile that is a perennial favourite in the building trade.
Clayhall Birchwood Mix - The Clayhall Birchwood mix offers a gorgeous blend of lighter and darker shades in this diverse clay roof tile. If you are concerned that your roof tiles could look monotonous, the Clayhall Birchwood mix is the clay roof tile to choose.
The Conservation range of roof tiles are available in a range of distinctive colours, created by using a very fine sand, The Conservation Weathered; A natural warm tone, achieving an instant mellow and settled look and The Conservation Red; perfect for vertical tiling especially suited for villages and hamlets with olde world vernacular charm.
Manufactured using high quality clay, achieving high strength and durability properties, giving homeowners and contractors peace of mind for many years to come. The conservation range comes with a complete set of associated fittings, including Hog Back Ridge, Half Round Ridge, Bonnet Hips, Valley tiles and External Angles.
The Conservation range of clay roof tiles comes in the following variations:
Plain clay roofing tiles laid to a double lap have been used for roof covering in England since before the Norman Conquest and tiles dating back to Roman Times have been discovered under excavation. From the outset clay plain tiles were made incorporating fixing features.
The Classic range of plain tiles is one of the finest ranges of clay tiles.
We source only the best raw materials for our craftsman to create beautifully handmade clay tiles of the highest quality and durability.
There are many fittings that are available from us a Heritage Tiles to complete your build to perfection. We stock and supply the following:
Provide help for our bats with our range of bat friendly roof tiles.
Did you know that all UK bats and their roosts are protected by law? The Wildlife and Countryside Act introduced in 1981, gave legal protection to all bat species and their roosts in England.
Distinct species of bats prefer differing places to roost. The two most usually found species of bat in the UK are the Pipistrelle and Brown Long-Eared Bat. Pipistrelle prefer confined spaces such as under tiles on roofs and hanging spaces. The Brown Long-Eared Bat prefer roof timbers and ridges inside lofts. Heritage Clay Tiles can provide purpose made access points within your roof tiles or ridge tiles. The Bat Tile Set can form part of a mitigation package required by law for existing roosts or as potential access where a roost had not previously been present.
Getting the right blend for your roofing project can feel daunting, but with our blend generator you can mix and match various blends of tiles to achieve the perfect blend.
Click here to make use of our online tool to choose your own unique blend.
Because our strict quality control provides a consistent tile size you can mix assorted styles and colours of tiles to make your roof unique to you. Please use the tool below to experiment with various blends.
Adjust the sliders to set the ingredients for your desired blend then click on the update mix button.
Alternatively click on any blend or tile to display it.
Whatever type of clay roof tile you want, Heritage Tiles will be able to help.
Clay roof tiles have been used as roof coverings for a very long time. In fact, archaeologists have found evidence of clay roof tiles in China dating back as far as 10,000 BC. When the Romans landed in Britain during the first century AD, they brought the tradition of using clay roof tiles with them, and they used them to cover their villas, temples and bathhouses.
Traditional clay tiles didn't really become popular until after the Great Fire of Southwark in 1212. Following the fire, King John made a proclamation, stating that buildings in London should be built with clay roof tiles, rather than thatched roofing, since they were more resistant to fire.
For most of their history, clay tiles have been made by hand in a rather laborious and time consuming process. These days, you can still get handcrafted tiles for that traditional finish, or choose from products that are made by machines for a faster result, more uniform appearance and a more affordable price.
Whether you opt for tiles that are handmade or made by a machine, the traditional clay roof tiles that are manufactured today also conform to modern building standards and can be used in dry-fix roofing systems, meaning they can be installed quickly and securely while providing the look that we all want for our properties.
Traditional clay tiles come in both plain clay tiles and profiled pantiles in a range of shapes and colours. This ensures you can easily find a product that suits your design requirements. These offer the classic good looks of traditional clay tiles, but with the benefits of modern manufacturing techniques and very easy installation.
Modern technology has opened up the market for new materials and innovations to be used in the manufacturing process, such as fibre cement.
In today's climate of recycling and sustainability, we have seen a clear trend moving towards building materials that can improve the sustainability and carbon efficiency of construction projects. With an ambitious government aim for net carbon zero by 2050 and all new homes to be zero-carbon ready by 2025, roofing manufacturers are looking at more ways in which their products can align to this vision.
When you consider that traditional clay tiles are made from natural and recyclable materials, it's easy to see why they still remain at a front runner in the roofing industry.
Realistically, it all boils down to your personal choice of roofing material. In fact, you can achieve a traditional or contemporary style while enjoying the benefits of advanced and modern materials, manufacturing techniques and installation options. That means you can base your decision on factors such as how the roof is designed, how durable it is, how it looks and your budget.
When considering the appearance of your roofing tile, remember to think about whether you want the building to stand out or blend in with its surroundings, and then take a look at your geographic location and what's in general use around you. Remember, being different isn't always a good look and could land you in hot water with the local authorities if you choose a roofing material that is too outlandish. You could also be forced to rectify any planning breaches at great personal expense. Traditional clay tiles are always a much safer option, always look great and are known to stand the test of time.
The Cambridge Folk Festival is a highpoint for folk music enthusiasts from in and around the Cambridgeshire area. The festival is held every year, but first opened in 1965. This popular music event is held on the site of Cherry Hinton Hall in Cherry Hinton, one of the villages subsumed by the city of Cambridge. The festival is known for its fantastic mix of music and a pretty wide definition of what might be considered actual folk music. It occurs over a long Bank Holiday weekend in summer. Until 2008 it was sponsored by BBC Radio 2, who broadcast it live, with highlights that were recorded and shown later and occasionally live on digital television channels. BBC Four broadcast the Cambridgeshire event from 2002 to 2009 and from 2010 to 2012 the festival was moved to Sky Arts.
Recent events have obscured the early origins of the Cambridge folk festival. In 1974 the Cambridge Folk Festival was described as an event that was born after three Cambridgeshire councillors who had an idea for a festival. The key figures responsible for setting up and founding the Cambridge Folk festival are named as Paul Rayment, Philip Abrams and George Scurfield.
The setting up of the Cambridgeshire musical event took about nine months and was developed by Paul Rayment, Philip Abrams and George Scurfield before Ken Woollard was asked to run the festival. In the 1960s the Rayments, Sharkeys, Scurfields and Woollards were all associated with Cambridge Labour Party and the folk club to greater or lesser extents. Jack Sharkey had the original idea which may have been linked to Jazz on a Summers Day, the documentary film set at the 1958 Newport Jazz Festival in Rhode Island, and he involved Paul Rayment. Jack Sharkey also had the idea to hold the festival at Cherry Hinton Hall, and his engagement with folk music was instrumental to the original initiative.
It has been argued many times that Paul Rayments initiative, drive, commitment and political skill produced the Cambridgeshire folk festival. In his role as a councillor, he suggested the festival site of Cherry Hinton, managed the electrics of the first festival and volunteered to stay the night in the marquee for the first festival; there was no security. The other key figures who developed the festival were Philip Abrams, a professor of sociology who saw it as a social initiative, and George Scurfield, an author, poet, and politician, whose abilities and sense of adventure and were vital to the establishment of the festival. The 1965 festival was the fruit of a Labour controlled council in a traditionally conservative area and particularly the endeavours of Paul Rayment. The founding of the Cambridge Folk festival reflects its subsequent diversity when a war hero poet and politician worked with an eminent sociologist and a politically driven electrician to bring something together representative of the 1960s zeitgeist in Cambridge. This was then handed over and brought to fruition by Ken Woollard, a local firefighter and socialist political activist, to help organise it.
The first Cambridgeshire festival sold 1400 tickets and almost broke even. Squeezed in as a late addition to the bill was a young Paul Simon who had just released "I Am A Rock". The festivals popularity quickly grew from that moment on. Woollard continued as Festival organiser and artistic director up until his death in 1993. In 2014 the festival celebrated its 50th event, including artists such as Van Morrison and Sinead O'Connor. Until 2015 it was run by Cambridge City Council. It is now run by a charity called Cambridge Live.
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If you would like to know more or are interested in a quote we would be happy to help. Phone us on 01634 471 344, email us at sales@heritagetiles.co.uk and we will be in touch as soon as possible.
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